Showing posts with label HICA. Show all posts
Showing posts with label HICA. Show all posts

Monday, April 25, 2011

Soup 2 Nuts




I have been selected as the next artist to present for the Halsey Institute for Contemporary Arts'  event titled Soup to Nuts. It is new patron membership event (postmodernist & above) and promises to be a lively event. The event will be hosted in my studio and I must say I am looking forward to sharing my highs and (mostly) lows in my pursuit of art. It should be a lively event!

A brief description of the event:

Soup to Nuts is an American English idiom conveying the meaning of "from beginning to end." The phrase comes from the description of a full course dinner in which courses progress from a soup to a dessert of nuts.

It is the "from beginning to end" part that makes Soup to Nuts dinner unique. These dinners are intimate casual affairs with artists serving as the main to course. Of course we don't eat the artist! Rather, we eat soup & devour the featured artist's creative process, as they describe inspiration, passions, grunt work, and ultimately, final result. Lively conversation ensues.  


I have been a member of HICA for the past three years and urge anyone that is interested in supporting an arts organization dedicated to presenting some of the finest contemporary art in the country, to join. You can now donate online. For more info: Click Here.

Saturday, November 14, 2009

New Moon event at H.I.C.A



Last night was the annual membership drive for the Halsey Institute of Contemporary Art. It is the only event that is restricted to current members and was very well attended. I sit on their advisory board but am currently on hiatus until I finish this commission. Members were entertained by a live cuban band, food and drink as well as the inaugural exhibition  Work v. / Work n. by the collage and assemblage artist Aldwyth. I didn't have the chance to attend the opening of the exhibit (I was in Atlanta) but was told by many that the place was packed to capacity. It was the largest opening in the history of the Halsey with over one thousand in attendance. 


I had a chance to finally study Aldwyth's work (a feat in itself). It is somewhat hard to describe. The best I can do is relay to you some text from the official catalog:


"She creates astonishingly complex collages and assemblages that recall the fantastical intricacies of Hieronymus Bosch. The exhibition subtitle, Work v. / Work, n., is intended to illuminate the idea that work is both a verb and a noun, and highlights the word's alternate definitions. Aldwyth's collages are often epic scaled. The viewer should be prepared for a trip through time and space. They are packed with intricately fashioned episodes, they seem like worlds that lie outside of our world, and infinitely worth exploring. To do so, however, one must turn into a viewer of cities from space, an ant crawling on a blanket."


One of the highlights of the night for me was discovering my name embedded in one of her works titled 'Document'. It's a disassembled / reassembled index of art and artists by Canady and Janson from the 1950's amended with names of artists she considers notable and scribed in pencil. I was discussing the piece with my wife and she half jokingly asked why my name wasn't included in the text. After looking to see where my name would have been had I been bestowed the honor of being included, lo and behold, there it was.





Needless to say, I was shocked (click on the image to see it larger). Thank you, Aldwyth! To see more of her work click here. Anyone interested in becoming a member and supporting one of the finest contemporary art centers in the southeast, click here.